The kind of sounds that typically works best for a dubstep wobble are, square waves with distortion, triangle waves and saw tooth waves for nastier sounds. Sine waves can be used but often are not the key preference for dubstep productions.
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Sync to remember on: Essential this implies the LFO will reset on every key press, if it is off then playing an alternative note will make the LFO continue oscillating at its current rate and also the note change.
Delay: The delay effect is the time ahead of the LFO begins as soon as the note is pressed. Can be used to create very worthwhile sounds combined with other effects.
Making Dub step tracks is fun and allows you to really go wild using your creativity. However, it is difficult to take the tons of loops, beats, and sounds you acquire making your songs and properly organize them. You need to separate your stuff into different libraries that can make them easier to find. A good organization of your sounds will permit your creativity and track creation to arrive at new heights. Lets look at some techniques that will help use more sounds.
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By using 1-4 ms on dubstep kicks and dubstep snares you are allowing the natural 'snap' with the sound through (within the first few milliseconds) then a compressor jumps in and compresses other sound. The kick drum is the 2nd most important portion of a dubstep track and should are the loudest part peaking at 0DB on a digital desk and +3DB while on an analog desk. It could sound strange adding mids and tops on the 'bass drum' but if you listen carefully to your classic 909 kick you will learn a lot of its punch actually also comes in the top frequencies, go ahead and chance a low pass filter on a 909 and you will probably note that it sounds pathetic with out the very best. This required a while to master, i did before low pass my kicks to a number exceeding 200hz and may never have them sounding good.